Stella By Starlight – Harmonic Analysis
First, locate a good recording of the song and listen to it many times. Each time listen for something different. Start by focusing on the melody and lyrics if present , then zero in on the harmony, the bass movement, the drums, the solos, etc.
Then learn the melody by ear on your instrument by carefully copying what you hear from the recording. Finally, learn the harmony by ear and refer to a lead sheet only to check your work or if you get seriously stuck.
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The best way to learn jazz standards is to break them down and learn them in units, linking the melody with the harmony. Guide-tones are key pitches in the chords that strongly identify and outline the changing harmonies of a tune. Guide-tones can be roots and 5ths, 3rds and 7ths, or any combination of these pitches and notes chosen from the extensions of the chords, such as 9ths, 11ths, and 13ths.
Stella by Starlight by Sharon M. Draper, review by Melissa Fox
There are countless options for selecting effective guide-tones for any given song. Since the roots and 5ths are most likely covered by the bassist, 3rds and 7ths are usually the strongest starting places to build a solid guide-tone line for a tune like Stella. As mentioned above, Stella features opportunities where you can practice all of the common uses of the melodic minor scale in a jazz context.
You can also use a tonic I melodic minor in bars 11 and For a II-V-I you want the flatted 7 th for better voice leading. II-7 b5 chords and II half diminished 7 chords can be approached using the 6 th mode of melodic minor. II-7 b5 chords which are candidates for this use of the melodic minor scale appear in measures 1, 10, 14, 15, 25, 27, and 29 of Stella. The scale to use in this case is the 4 th mode of melodic minor, meaning if C melodic minor is your root, F7 11 is the dominant 7 th chord over which you can play C melodic minor starting from F F is the 4 th scale degree of C.
Triad pairs are exactly what they sound like: a pair of triads usually but not always major triads that you can use over a given chord or chord progression. How Much Have You Seen?
Stella by Starlight | WUNC
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Its May recording by Harry James and his orchestra reached the 21st place in the pop charts. Two months later, the recording by Frank Sinatra with Axel Stordahl and his orchestra also rose to the 21st position. Alto saxophonist Charlie Parker accompanied by a large studio orchestra including strings made the first jazz recording of the song in January This was followed by a recording by tenor saxophonist Stan Getz in December , trumpeter Chet Baker in A recording by Miles Davis was included on his album Jazz Track.
Davis revived the song in performing it live many times through The liner notes for this album stated that Willson was so impressed with Franchi's performance that he Willson presented the singer with his copy of Victor Young's original score. From Wikipedia, the free encyclopedia.